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Red Swastik (2007) – Femme Fatal

Its true in Hollywood, but in bollywood might not always be true barring few expections like Murder. Following footsteps of Madame Mallika & Payal

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Raqeeb (2007)

Director:Anurag Singh
Star Cast:Rahul Khanna Jimmy, Shergil Sharman, Josh Tanushree Datta ,Vishwajeet Pradhan

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Sawaan (2006)

“You’ll die this Friday.” No, that isn’t a trade pundit predicting doomsday for this hopelessly loopy and washed-out take on the vagaries of life.That’s just the desi Nostradamus, played by Salman Khan, predicting sure-death for the film’s pert heroine (Saloni Aswani).The film’s feverish take on the matters of fate is so hopelessly out of sync with the times, you feel sorry for the perpetrators of this celluloid atrocity.

Dhoom was a huge success, it brought back action era of Akshay Kumar & Sunil Shetty with style & slick of Feroz Khan movies, though it was low in substance.

Well, with much bigger canvas, huge starcast and eye candy babes and locales Dhoom II gives much more fun and still low in substance. This sequel takes.
Hrithik to much higher level than this year’s hit Krrish, as he takes this movie under his shoulder brilliantly.

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Ab tak Chappan (2004)
Cast: Nana Patekar, Revathy, Nakul Vaid, Yashpal Sharma
Director: Shimit Amin

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PART 6
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PART 10
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AKSAR

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Krishna cottage (2004)

The movie begins with the launch of a book by a famous author (Raj Zutsi). This book is an unusual book with nine-and-a-half stories. The author did not conclude the final story, as he could not come up with an appropriate ending.

The scene then shifts to campus where Manav [Sohail Khan] and Shanu [Natasha] are students in a same college. The two are set to get engaged to each other. On their engagement day, they happen to meet a newcomer Disha [Isha Koppikar] in their class.

There is an undercurrent of attraction between both Manav and Disha in their first meeting itself. The same night, during the engagement ceremony, Manav saves Disha from a mishap and, along with his friends, decides to escort her to her house.

On the way their car gets punctured and there arrives that much clichéd sequence when all of them are forced to take shelter in a mysterious Krishna Cottage for the night. Little do they know that the cottage his haunted by a spirit that has been waiting for 22 years to claim its victim.

Thus begin a chain of murders. And the mystery begins to deepen further until a weird character of a middle-aged woman makes an entry and claims that she can communicate with the spirit…

PART 1
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PART 2
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PART 8
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PART 9
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PART 10
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Chehraa (2005)

Aakash [Dino Morea] and Megha [Bipasha Basu] are students in the same college. The two fall in love and decide to marry.
Megha has a past. An ugly childhood. Her father [Govind Namdev], a rogue, had ill-treated her mother [Navni Parihar]. He was an alcoholic and showed no interest in the family life. Because of this behavior, he once gets into trouble with a policeman and gets imprisoned. Owing to his misdoings, Megha and her mother run away to live a peaceful life.

Cast : Dino Morea, Bipasha Basu, Preeti Jhangiani, Navni Parihar, Govind Namdeo, Rajat Kapoor, Nawab Shah, Irfan Khan

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Amavas Ki Raat

The night of dead, dark no moon night. When night strucks, she wakes up in her hunt for yet another man, to quench her thrist, thirst of blood.
The Ramsay productions Amavaas ki raat follows same horror clut as its precedors. Sqeaky noises, cracks, thundering sky, black clould is sane in his horror world.

Cast: Kiran Kumar, Mayur, Manek Irani, Kunika

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Chapters: 10

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PART 4
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PART 5
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PART 7
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PART 8
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PART 9
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PART 10
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Raaz (2002)

Raaz is one of the rare Bollywood ventures into horror cinema. Bollywood is often blatantly imitative of Western films and will happily steal entire plots outright. Raaz has been fairly much stolen directly from What Lies Beneath (2000) – it features an identical plot about a wife believing that she is being haunted and then finding her husband has been having an affair with the dead woman. Director Vikram Bhatt even goes so far as to replicate the scene where the wife becomes sensually possessed by the other woman and throws the husband on the bed. At another point the film also unashamedly borrows the central image from The Exorcist (1973) of a possessed woman backlit, mouthing obscenities on a rocking bed

Cast: Bipasha Basu, Dino Morea, Ashutosh Rana, Malina Sharma, Shruti Ulfat, Anang Desai
Direction : Vikram Bhatt

We move to Mumbai where Sanjana (Bipasha Basu) tries but fails to attract the attention of her husband Aditya (dino Morea). Against the strains of “shanti shanti”, Sanjana looks anything but peaceful and walks out on the party after having a tiff with Aditya. On driving back, she hears a voice whispering her name to her prompting a car crash which she miraculously survives. She wants a divorce but Aditya wants another chance and wants to take her away, “to start again”. Given the choice of London New York Chicago, her eyes seem to dart to a picture on the wall with tree trunks and she immediately replies “Ooty”. Its almost as if there is a force which is beckoning her there.

The couple arrive in Ooty which is laden with memories for Sanjana, determined to make a go of their marriage. But along with the memories come strange goings on in the house. She hears the sounds of a woman’s scream, the wind blows near her, light bulbs smash by themselves, doors open and close, a bloody spade keeps falling despite being put against the wall. What can all of this mean? Sanjana’s friend Priya takes her to see Professor Swaroop perhaps to suggest that some Feng Shui will help but he feels a presence within the house. Matters spiral out of control when Sanjana is left alone one night with blood oozing from the chandelier and the image of a woman in red staring at her from a mirror, pointing at her. What is the raaz and how is this linked to Sanjana.

Vikram Bhatt conjures up a clever and absorbing chiller without incorporating cheap thrills or resorting to the usual bloody and violent clichés usually present in Bollywood horror movies. In this respect, this is a superior ghost story, constantly chilling and engrossing despite the odd song or two which tends to bog down proceedings later on in the film. He wraps his film up with a taut screenplay and some good performances doing without the usual goofy comedy or an excess of characters in the film. This is certainly a coming of age for Vikram Bhatt.

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He is helped by fairly good performances. Bipasha Basu looks beguiling at times and gives a fairly good account of herself although she sometimes whimpers a little too much and without the real smell of fear. Still, she carries the film almost and for that in itself, is impressive as its only her second film. Dino Morea looks like |a Rahul Roy clone but manages to give a decent performance as well. Malini Sharma has a wonderful if short role and brings a very believable menace to it, but also not lacking in charm and a warmth which makes her character almost tragic. A great debut. Ashustosh Rana tends to be a little loud. Nadeem Sharavan’s music is good without being outstanding and perhaps the film has two songs too many. The film has excellent camera work and a brilliant background score. Well worth a visit.

Video Source: DVD
Host: Megaupload
Chapters: 10

Part 1
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Part 2
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Part 3
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Part 4
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Part 7
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Part 8
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Part 9
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Part 10
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We move to Mumbai where Sanjana (Bipasha Basu) tries but fails to attract the attention of her husband Aditya (dino Morea). Against the strains of “shanti shanti”, Sanjana looks anything but peaceful and walks out on the party after having a tiff with Aditya. On driving back, she hears a voice whispering her name to her prompting a car crash which she miraculously survives. She wants a divorce but Aditya wants another chance and wants to take her away, “to start again”. Given the choice of London New York Chicago, her eyes seem to dart to a picture on the wall with tree trunks and she immediately replies “Ooty”. Its almost as if there is a force which is beckoning her there.

The couple arrive in Ooty which is laden with memories for Sanjana, determined to make a go of their marriage. But along with the memories come strange goings on in the house. She hears the sounds of a woman’s scream, the wind blows near her, light bulbs smash by themselves, doors open and close, a bloody spade keeps falling despite being put against the wall. What can all of this mean? Sanjana’s friend Priya takes her to see Professor Swaroop perhaps to suggest that some Feng Shui will help but he feels a presence within the house. Matters spiral out of control when Sanjana is left alone one night with blood oozing from the chandelier and the image of a woman in red staring at her from a mirror, pointing at her. What is the raaz and how is this linked to Sanjana.

Vikram Bhatt conjures up a clever and absorbing chiller without incorporating cheap thrills or resorting to the usual bloody and violent clichés usually present in Bollywood horror movies. In this respect, this is a superior ghost story, constantly chilling and engrossing despite the odd song or two which tends to bog down proceedings later on in the film. He wraps his film up with a taut screenplay and some good performances doing without the usual goofy comedy or an excess of characters in the film. This is certainly a coming of age for Vikram Bhatt.

He is helped by fairly good performances. Bipasha Basu looks beguiling at times and gives a fairly good account of herself although she sometimes whimpers a little too much and without the real smell of fear. Still, she carries the film almost and for that in itself, is impressive as its only her second film. Dino Morea looks like |a Rahul Roy clone but manages to give a decent performance as well. Malini Sharma has a wonderful if short role and brings a very believable menace to it, but also not lacking in charm and a warmth which makes her character almost tragic. A great debut. Ashustosh Rana tends to be a little loud. Nadeem Sharavan’s music is good without being outstanding and perhaps the film has two songs too many. The film has excellent camera work and a brilliant background score. Well worth a visit.

Video Source: DVD
Host: Megaupload
Chapters: 10

Part 1
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Part 2
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Part 3
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Part 4
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Part 5
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Part 6
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Part 7
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Part 8
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Part 9
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Part 10
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We move to Mumbai where Sanjana (Bipasha Basu) tries but fails to attract the attention of her husband Aditya (dino Morea). Against the strains of “shanti shanti”, Sanjana looks anything but peaceful and walks out on the party after having a tiff with Aditya. On driving back, she hears a voice whispering her name to her prompting a car crash which she miraculously survives. She wants a divorce but Aditya wants another chance and wants to take her away, “to start again”. Given the choice of London New York Chicago, her eyes seem to dart to a picture on the wall with tree trunks and she immediately replies “Ooty”. Its almost as if there is a force which is beckoning her there.

The couple arrive in Ooty which is laden with memories for Sanjana, determined to make a go of their marriage. But along with the memories come strange goings on in the house. She hears the sounds of a woman’s scream, the wind blows near her, light bulbs smash by themselves, doors open and close, a bloody spade keeps falling despite being put against the wall. What can all of this mean? Sanjana’s friend Priya takes her to see Professor Swaroop perhaps to suggest that some Feng Shui will help but he feels a presence within the house. Matters spiral out of control when Sanjana is left alone one night with blood oozing from the chandelier and the image of a woman in red staring at her from a mirror, pointing at her. What is the raaz and how is this linked to Sanjana.

Vikram Bhatt conjures up a clever and absorbing chiller without incorporating cheap thrills or resorting to the usual bloody and violent clichés usually present in Bollywood horror movies. In this respect, this is a superior ghost story, constantly chilling and engrossing despite the odd song or two which tends to bog down proceedings later on in the film. He wraps his film up with a taut screenplay and some good performances doing without the usual goofy comedy or an excess of characters in the film. This is certainly a coming of age for Vikram Bhatt.

He is helped by fairly good performances. Bipasha Basu looks beguiling at times and gives a fairly good account of herself although she sometimes whimpers a little too much and without the real smell of fear. Still, she carries the film almost and for that in itself, is impressive as its only her second film. Dino Morea looks like |a Rahul Roy clone but manages to give a decent performance as well. Malini Sharma has a wonderful if short role and brings a very believable menace to it, but also not lacking in charm and a warmth which makes her character almost tragic. A great debut. Ashustosh Rana tends to be a little loud. Nadeem Sharavan’s music is good without being outstanding and perhaps the film has two songs too many. The film has excellent camera work and a brilliant background score. Well worth a visit.

Video Source: DVD
Host: Megaupload
Chapters: 10

Part 1
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Part 2
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Part 10
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Rain (2005)

An utterly romantic title like “Rain” does scant justice to a film that flickers luridly across the screen, creating images vandalised from a thousand Hollywood thrillers.

The sex in “Rain” is mostly simulated through screams and grunts, suggesting a deep though distant relation between physical handicap and psychological insurgency.

In what looks like an unpardonable travesty of Rani Mukherjee’s character in “Black”, Naidu invites a stranger posing as a journalist into the close vicinity of her heaving bosom.

PART 1
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PART 2
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PART 3
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PART 4
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PART 5
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PART 6
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PART 7
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PART 8
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Murder

Suddenly Bollywood seems to have been swept by a wave of stories about adultery and promiscuity. Anurag Basu’s ‘Murder’ is not much different from what can be expected from such a story. A wife seeks sexual satisfaction outside her marriage when her life with her husband begins to dry up.

Cast: Mallika Sherawat, Ehsaan Hashmi, Ashmit Patel, Raj Zutshi, Sheeba Chaddha, Shabnam, Uday Tikekar, Krish Chawla
Direction: Anuraag Basu

Meanwhile, Sudhir is not a fool to not see the change in his wife’s behavior. He begins to sense that she is hiding something from him. So he hires a detective to spy on Simran. And the revelations of the detective only bring forth the ugly truth about Simran’s infidelity. Sudhir is simply shattered.

He had been working hard to give a better life to his wife and son, but what use of such earnings when wife feels neglected and goes about sleeping with someone else. Ultimately, Sudhir decides to confront Sunny. But this meeting will change the course of entire story…

As expected, ‘Murder’ has plenty of skin-show and blatant display of steamy scenes, courtesy the bold newcomer Mallika Sherawat. Since the movie looks at extra-marital relationships from a slightly realistic point of view, such scenes do not appear sleazy and cheap. Rather, an attempt to has been made by director Anurag Basu to add some aesthetic beauty to such scenes.

In a nutshell, ‘Murder’ is visually exciting and sexually enticing.

Video Source: DVD
Host: Megaupload
Chapters: 8

PART 1
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PART 2
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PART 3
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PART 5
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PART 6
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PART 7
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PART 8
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PART 9
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PART 10
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